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The work (book, film, play) has:
1. Two or more female characters
2. That speak to each other
3. About something other than a man
In "Penny's Luck" I don't have any other female characters! Argh! And I can't think of a good way to fit one in. Even if I turn the butterfly smuggling neighbor into a woman, she and Penny will still be talking to each other about Penny's dad. Double Argh!
I don't know how I'm going to fix this. Well, obviously, I'm going to have to add another female character. Cal's coach? Cal's mom? A BFF?
I've never heard of the Bechdel test, but I've had a total LOL moment reading this post. I fail miserably all the time, 'cause I like writing solitary boys, and solitary girls.
ReplyDeleteHi Cat,
ReplyDeleteThanks for stopping by :) If the characters are solitary, yes, they technically fail, but it's not that bad. "Penny's Luck" has lots of people, I just hadn't made any of them (except the main character) female. That's not the real world at all, and would (I think) make my book totally unbelievable, so it's something I have to fix :)